I have already satisfied my immediate camera plan from My New Year's Resolutions. Let's hope the rest of the years goes as well.
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The cameras of the 1960s and 1970s have a better chance of working in 2050 than those made in the 1980s……”
I begin with this quote from Karen Nakamura’s Photoethnography, entry for the Minolta SRT-101. The SRT-101 was introduced in 1966, as one of the earliest cameras with through the lens metering. The SRT-201 added a true flash synched hot shoe, and that was the only difference.
To synch this Hot Shoe you need a cable that plugs into the side. I never use flash, so who cares!
I’ll also share with you a friend’s story of his experience with the SRT-Series in general. Jamie was in a small plane crash or more like a very hard landing in a farm field (no serious injuries). He had been doing some aerial photography and on impact his SRT flew out of his hands. He later found it imbedded in the wing of the plane, and the camera still worked!
And that’s why I love my clunky, old, fully manual, all metal body SRT cameras. here's another view of my latest family member……..
Most of my recent 35mm B&W images were made with my SRT-202 (also used for these photos), which was a 1970’s update (1975-1978). A fully manual camera is s great place to start if you are experimenting with film. And even if the battery dies you can still shoot as long as you are able to “guestimate” the proper exposure. With constant use, that “guestimation” is usually workable, especially with B&W film.
Tomorrow a few photos from the SRT-101.....................